Andrea Colamedici's essay "Hypnocracy: Trump, Musk, and the New Architecture of Reality" presents a thought-provoking critique on the performative nature of modern philosophical discourse. However, what sets this piece apart is its unapologetic admission that it was conceived as a "philosophical experiment and a performance." This raises questions about the validity and impact of such an approach. The author's decision to conceal their Chinese identity sparks controversy, leaving readers wondering about the potential implications of cultural appropriation in academic writing. Furthermore, Colamedici's stance on the performative aspect of philosophical ideas invites exploration of the tension between sincerity and showmanship in intellectual pursuits. Ultimately, Colamedici's piece challenges readers to confront the complexities of a reality increasingly shaped by performance and manipulation. As such, it prompts us to consider the responsibilities that come with authorship and the responsibility to present our thoughts authentically.